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A camera operator films toward a dense stand of trees at dusk, the far treeline underexposed and empty.
Second unit on Blurry, somewhere past the treeline. Continuity is theoretical because the subject is theoretical, and we would not have it any other way.

Marv

Reclusive auteur / director·In production, indefinitely, on his own terms.

Sasquatch.

Marv is a reclusive auteur who hired us to shoot his lifelong passion project on one condition: he is never to be clearly filmed. He is the subject. He is also the director. The footage is authentically undocumented — blurry, underexposed, glimpsed — and every frame of it is exactly what he asked for, which is the whole job as far as we are concerned.

Continuity is theoretical, because the subject is theoretical. June Okafor maintains a continuity log for a man who does not appear in it, and she describes it as “the easiest and hardest job in Post, at the same time, forever.” She keeps it beautifully.

He considers every out-of-focus frame a success. On his own terms he is completely correct, and the award nobody can confirm he attended agrees with him.

You can barely see me in it. Perfect. Five stars, if you can find them.
Marv · Director, Blurry: A Life Out of Focus