Trevor

Tyrannosaurus. In his vulnerable-roles era.

Trevor is a romantic lead in his vulnerable-roles era, deeply insecure about his arms and doing the bravest work of his career about it. He asks Dev Malhotra to paint them longer. Dev paints them longer, gladly, every time. Dev then quietly paints them back for continuity, and Trevor has never asked, and Dev has never said, and we think that is one of the loveliest things on this lot.

He travels with an emotional-support triceratops who must never enter Enid’s eyeline. Fatima Al-Rashid gets all three to set without any two of them meeting, which takes a seating chart, an eyeline chart, and a route that adds forty minutes to every load-in. She has never once complained about it.

He thanks the crew, sincerely, for shooting his good side. It is all sides. He means it, and by the end of a shoot so does everyone else.